从今天到明天
影片信息
- 主演：未知
- 导演：达尼埃尔·于伊耶,让-马里·斯特劳布
- 状态：DVD
- 年份：1997
- 地区：法国
- 类型：喜剧/
- 上映：未知
- 语言：其它
- 豆瓣评分：10.0 分
- 简介： Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
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剧情简介
从今天到明天是由达尼埃尔·于伊耶,让-马里·斯特劳布导演的喜剧片。领携主演：达尼埃尔·于伊耶,让-马里·斯特劳布
Based on an unknown Schönberg opera from 1929, From Today Until Tomorrow explores one night in a not-quite loveless marriage. A husband and wife return from a party where she has flirted with another man, while he has cast an appraising eye toward an attractive, fashionably dressed acquaintance of his wife’s. Though each dreams, briefly, of leaving the marriage for the excitement and mystery of a new lover, in the end they decide stability and comfort are more important than the fleeting thrill of new romance. Directors Jean-Marie Straub and Danièle Huillet, who previously collaborated on two other films about music (The Chronicle of Anna Magdalena Bach, 1968, and Moses and Aaron, 1975), rely on long fixed shots in austere black-and-white so that the focus remains on the musical brilliance of Schönberg’s atonal score, performed here by 70 musicians. That Schönberg would choose such a relatively lighthearted message for his newly discovered musical language remains a mystery, especially since the conclusion reached by the husband and wife—to stick with the tried and true—seems directly at odds with Schönberg’s own philosophy of composing. It is just this juxtaposition, however, coupled with Straub and Huillet’s faithful presentation, that makes the opera a compelling addition to the Schönberg canon—and the film such a challenging and intriguing experience.
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评论
共 826 条评论-
袋狸 209.127.72.35《疯狂动物城》零差评。现在的小孩子该多看看这种类型的片子。典型的警察抓坏人，与好朋友有矛盾要主动认错，怀有梦想，做任何决定爸爸妈妈都会支持你，对待身边你不喜欢的有歧义的人多点包容多点耐心，多给别人一个机会，尊重一切，去发现离你最近的幸福和感动。直白明了。 -
鱼鱼 50.253.77.44连看个动画片都能看出少女心 -
cheryl 144.244.207.224没想到我也会喜欢这么邪痞的人设¯\_(ツ)_/¯转性了 -
悲劇控體質 238.212.88.189轻松搞笑背后其实是花式反讽stereotype社会现实外加自我吐槽，编剧们的良苦用心也（gan）是（de）醉（piao）了（liang）。这部反而其实不是给小孩子看的动画片。不知道前排那么多小朋友，有没有看懂啥。 -
兔六六 59.28.89.160第一次一个人去电影院看电影